Gemini 2.0 Ultra Is Our Creative Lab in the Browser

We feed Gemini Ultra everything: EPS logos, raw phone footage, market spreadsheets, even camera metadata. Instead of forcing us to translate assets into text disclaimers, the model simply inspects what we drop in and asks clarifying questions. That keeps brainstorms flowing because nobody pauses to describe the obvious.

When we asked for a product teaser, Ultra stitched together key beats from a 30-second clip, proposed alt takes, and produced a color palette that matched the b-roll we supplied. It felt less like prompting a model and more like working with a hyper-fast motion designer.

Gemini’s Studio connectors are the sleeper feature. Once a concept hits consensus, we push it into Figma for layout polish or After Effects for animation without exporting a dozen files. The metadata tags carry over, so teams know which idea came from which prompt.

We still rely on human creative directors for the final pass, but Ultra ensures they start from a high-fidelity sandbox instead of a blank canvas.

Ultra is perfect for marketers and product storytellers who jump between mediums. It respects the intent behind your references, remains grounded when you supply analytics, and keeps every iteration tucked into a single thread. Multimodal used to mean juggling five apps; now it is literally one browser tab.

If you have been waiting for a model that treats video, imagery, and data as first-class citizens, Gemini 2.0 Ultra is the most complete experience we have tested.